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Forgive Us Our Spins: Michael Moore and the Future of the Left, by Jesse Larner
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Well written, witty, and wise. Jesse Larner's book goes well beyond its brief: it helps us understand where the left has been going for the last few years, and where it might end up.
—GEORGE MONBIOT, columnist, The Guardian (UK)
""Forgive Us Our Spins is a very smart and well-researched book about the ever-controversial Michael Moore. Larner does a great job at showing why Moore's political and cultural adventures often do more damage than good. And Larner is a man of the left who doesn't make excuses for the right. A concern for decency and the quality of public discussion in this country shine through in this book—a healthy antidote to not just Michael Moore but also the intellectual clowns of the right, like Ann Coulter and Michael Savage. Let's hope Larner's voice is heard by many.""
—KEVIN MATTSON, professor, Ohio University, and author of Upton Sinclair and the Other American Century
As the 2004 presidential election approached, Michael Moore repeatedly expressed confidence that his film Fahrenheit 9/11 would have a powerful impact on the outcome of that bitter contest. The talking cogs in the right-wing media machine were happy to agree with him. They foresaw that Moore and his flawed, shallow, and factually sloppy film would be major factors in motivating and energizing their base.
Left, right, or in between, everyone has an opinion about Michael Moore. His books reside on bestseller lists, his films are unfailingly controversial, and his politics range far to the left of any elected official on the national scene. So why is he the only voice capable of bringing progressive issues and ideas to public awareness? What message should the Democratic Party glean from his immense popularity? What impact will Moore and his work have on the future of the left?
In Forgive Us Our Spins, you'll meet Michael Moore as you've never seen him before. This witty, well-written critique of America's most commercially successful radical examines Moore's life and work, reveals the personal history that underlies his political passions, and takes a clear-eyed look at his controversial trouble with the facts.
Love him or hate him, you can't deny Michael Moore's political stature. Is he the champion the left has long yearned for or the kind of friend that's more dangerous than an enemy? Read Forgive Us Our Spins, then decide.
- Sales Rank: #5136258 in Books
- Published on: 2006-08-01
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x 1.05" w x 6.44" l, 1.10 pounds
- Binding: Hardcover
- 288 pages
From Publishers Weekly
Starred Review. After the left's electoral defeat of 2004, filmmaker and all-around provocateur Michael Moore has been an easy target. In his second book, Larner deftly argues why Moore is also a just target. For liberals who never liked Moore but couldn't figure out why, the book provides essential and definitive muckraking, and the reasons why Moore has attained such prominence within America's conflicted self-image. Larner, a staunch liberal whose rage at much of the current administration's policy is palpable, also despises "political work that emphasizes emotional appeal over factual content" from either side. Moore, he argues, is similar to Anne Coulter in producing journalism of false pretext and sleight-of-montage, sabotaging his own credibility and, by proxy, that of the causes he espouses. Hence, the book is foremost an assiduously researched and impassioned exposé of the foibles that have rendered the left so vulnerable to attack. Some will undoubtedly read it as the revolution's devouring its own children. But Larner's undertaking is admirably unflinching: a call for nuance and evenhandedness from liberals who would revile that same reductionism in the right. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Dedicated liberal Larner is definitely unhappy about would-be cinematic Leftist standard-bearer Michael Moore and his documentaries Roger and Me, Fahrenheit 9/11, and Bowling for Columbine. Larner argues passionately and convincingly that Moore's rollicking, pointed excursions in cinematic invective do his ostensible cause--promotion of liberal candidates and issues--more harm than good through obvious sins of omission and commission that conservatives use to disparage Moore's causes even more than him. Lerner maintains that Moore has become the equivalent of the Right's braying infotainers, inviting comparisons with Ann Coulter and other fast-and-loose cannons the Left despises. Despite such criticism, Larner betrays a bit of discomfort for pillorying a fellow-traveler in the epilogue, in which he pointedly, and probably ineffectually, challenges "decent and sincere traditional conservatives" to "take on [their] own team's excesses," mentioning Coulter, Charles Krauthammer, Rush Limbaugh, and Bill O'Reilly, in particular, as deserving targets. Probably best not to hold one's breath waiting for that to happen--which, however, doesn't detract from the compelling thrust of Larner's screed. Mike Tribby
Copyright © American Library Association. All rights reserved
Review
* After the left's electoral defeat of 2004, filmmaker and all-around provocateur Michael Moore has been an easy target. In his second book, Larner deftly argues why Moore is also a just target. For liberals who never liked Moore but couldn't figure out why, the book provides essential and definitive muckraking, and the reasons why Moore has attained such prominence within America's conflicted self-image. Larner, a staunch liberal whose rage at much of the current administration's policy is palpable, also despises ""political work that emphasizes emotional appeal over factual content"" from either side. Moore, he argues, is similar to Anne Coulter in producing journalism of false pretext and sleight-of-montage, sabotaging his own credibility and, by proxy, that of the causes he espouses. Hence, the book is foremost an assiduously researched and impassioned exposé of the foibles that have rendered the left so vulnerable to attack. Some will undoubtedly read it as the revolution's devouring its own children. But Larner's undertaking is admirably unflinching: a call for nuance and evenhandedness from liberals who would revile that same reductionism in the right. (Sept.) (Publishers Weekly, June 19, 2006)
Most helpful customer reviews
13 of 15 people found the following review helpful.
A symptom of the problem, not the solution
By Ron Weis
FORGIVE US OUR SPINS: Michael Moore and the Future of the Left, by Jesse Larner. FIVE STARS*****
No, this is not yet another demolition job by a petty critic of Michael Moore, exposing to horror his errors and contradictions with the aim of toting up his moral worth. Nor is it a hagiography of Moore as working-class hero.
It is interesting to see Jesse Larner actually defending Moore from various right-wing silliness. Larner agrees with many of Michael Moore's values, perhaps more than Moore himself, because he pays close attention to how well they are served in the changing American climate. But after much research, Larner does not find Moore to be a useful or honest advocate of these values.
Larner is a great story-teller, with a keen eye for telling events and humorously appalling details. Moving along through a hundred compelling and verified incidents, Moore's story unfolds with balance and perspective, and not a single trace of malice. Larner does not rub his hands with glee when he discovers that Moore is an American success story who keeps his place through calculation and a chillingly self-regarding coldness, and that his written and movie work is distinguished not only by playfulness, but by considerable lying and cheating. Up to now, when others have found inaccuracies and willful distortions in his work, Moore has brushed them off as right-wing vilification or says his movies are made to be only entertainment. But Moore makes serious claims for his work; he wants above all to be taken seriously, and Larner grants him his wish more fully than he himself could imagine.
One of the book's charms is that Larner indefatigably informs himself about the subject-matter of each of Moore's movies in turn. He probably knows more about the history of Flint, Michigan than Moore does... and more about how Moore picks and chooses from it. He presents a concise and convincing analysis of the GOP's ruthless theft of the Florida vote; he gives the essence of the Second Amendment and why it does not support indiscriminate gun-toting; and he travels to San Francisco to give us the story of Moore's brief and destructive term as editor of Mother Jones--and to Crawford, Texas (where Moore did not go) to find the Texas citizens who showed "Farenheit 9/11" not far from Bush's ranch, and to explore the environment in which it was received.
Larner argues that, although propaganda and demagoguery pervade the style of the right, and the major TV coverage which the rich and well-connected command, the left simply cannot afford that kind of discourse, either financially or politically. Enjoy Michael Moore's films for the pleasures they bring you, which include a look at events and personages not usually available on TV, but do not assume their absolute factuality, nor look to Moore as a democratic leader. (Moore gave his support, with angry fanfare, to Ralph Nader in 2000.) Liberals must question their leaders and look for those who answer in good faith and candor.
Anyone who has ever wondered why the Democratic Party could not hold the allegiance of a majority of Americans who agree with them on the major issues, not to mention the 9.8 out of 10 who do not share the fortunes of George Bush's major contributors, should read this book with fascination. It is, finally, a history lesson about the workings of American populism, from the point of view of a liberal-leftist who thinks the recuperation of his party is a matter of emergency, possibly of survival. And Larner even-handedly challenges conservatives to question the vicious crackpots who freely roam their side of the debate.
To follow Moore, in Larner's view, is to live in a simple-simon world of unreal simplicities, a religious world, in effect, of the saved and the damned, with a high priest whose ends justify his means. Larner is one of those who addresses himself to the problems of his time with toleration for those who disagree and attention to those who are uncertain. It is that latter group we democratic liberals must convince, not by inviting them to jump on the bandwagon, not by tricking or stampeding them, but by approaching them with respect.
For Larner, the left's connection with Moore only undermines its chances of creating a political climate of freedom, fairness and tolerance. The story he tells is gripping: once he got rolling, I could not put it down. And however I might quibble with a few of his conclusions, he makes it obvious that Moore, whatever else he may be, is a symptom of the problem we face, not its solution.
7 of 8 people found the following review helpful.
The Emperor's New Clothes, Again
By Susan Berlin
When I saw Michael Moore's Columbine, I was made very uneasy by his manipulative use of certain scenes - for instance, his interview with Charlton Heston followed by the elaborately self-serving placement of the photo of a murdered child. And while I certainly agreed with Moore's anti-gun lobby position, I thought his `explanations' for American violence were simple-minded, to say the least.
So it was with interest and a degree of relief that I read Jesse Larner's biography-cum-political commentary - a critique from the left - on Moore and the American left. I'd bet it will stimulate a lot of thinking and discussion among people hungry for a genuine approach to developing progressive American positions.
Larner writes in a fluent, accessible style - and while documenting some of Moore's less savory approaches to both film-making and politics, he maintains an appreciation for Moore's strengths that's a nice counterpoint to the unsubtle and dishonest behaviour he details.
Finally, the book offers thoughtful (though depressing) insights into the current position of the American left.
Susan Berlin
3 of 3 people found the following review helpful.
A troubling look at a complicated man
By Geoff Pietsch
I was drawn to this look at Michael Moore because the author, like me, shares many of Moore's liberal/left views, yet, as the title suggests, he also is bothered by both Moore the person and Moore the filmmaker. I wanted to find out why.
Larner is persuasive in delineating some of Moore's deceptive methods. Example: Contrary to the whole implication of "Roger and Me", Moore did indeed interview Roger Smith of GM - and at length. As Larner suggests, this and other misrepresentations (like the obvious distortion of depicting happy Iraqi children in Saddam's Iraq, pre-war) serve to give ammunition to the Right and detract severely from his cause.
But in the end I was disappointed with this book since it fails to give Moore enough credit for the enormous success he has had in shining light on injustice in our country. At the end, my clear impression was that Larner basically supports our war in Iraq and can't forgive Moore for "Fahrenheit 9/11".
So read this book, if you wish, but then do as I did and also read "Citizen Moore" by Roger Rapoport, another liberal. Rapoport also describes Moore's shortcomings, but he does the great service of quoting both people who know Moore, like Ralph Nader, and Moore himself at great length. He editiorializes very little and lets the reader sort out for him/herself the strengths and weaknesses of this very talented and complicated man.
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